Porsha Williams blasts Cynthia Bailey and Kenya Moore

Porsha Williams & Cynthia Bailey - Cover

Porsha Williams and Cynthia Bailey’s friendship fell dead in the coffin this year over Williams’ attack on Kenya Moore at the last “Real Housewives of Atlanta” reunion taping. And now that “RHOA” is back for a new season, things are heating up between Bailey and Williams, once again. Recently, Williams spoke to OK! magazine about her former friend and explained why she thinks she’s fake.


As fans will remember, Williams and Bailey’s friendship fell apart after Bailey condemned Williams for attacking Moore at the reunion special, which Williams didn’t take kindly to at all. And while speaking to the mag about her gripes with Bailey, Williams claimed that Bailey is a mean girl.


“Flip-flopper and mean girl! The reason I chose those words to describe her character will become clear as you watch season 7. You will see for yourself the new and unimproved Cynthia,” said Williams.

Despite the harsh words, Williams does claim that she still has somewhat of a soft spot for Bailey.


“She’s still cool at times and I still care for her, but mainly from afar! I feel like this season she has decided to “do whatever it takes” for her to make it. It’s sad that you don’t see the true person or see who is real around you until money is involved. I believe that because of her financial misfortune she has chosen to act like Kenya, doing anything for a check. At the end of the day, we are only left with our self-worth and integrity. Instead, she has sold both to have a storyline and check. I pray that she realizes that even though she didn’t have a voice before, mimicking evil around you and being mean spirited is not being strong at all. Instead, one would think she’d been setting a positive example as a role model for women of all ages, versus displaying negative behavior,” Williams shared.

However, that’s not all that Williams had to say. Read why she thinks Moore and Apollo Nida are lying about his recent on-screen apology after the cut. – nicholas robinson

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