GloRilla’s debut album sparks controversy over gospel collaboration

‘Rain Down on Me’ is the only song on the album without an explicit rating
Glorilla music
GloRilla (Photo credit: Shutterstock.com / Franklin Sheard Jr)

Memphis-born rapper GloRilla has made waves in the music industry with the release of her debut album, Glorious, which dropped on Oct. 11. Among the tracks, one song has particularly captured public attention: “Rain Down on Me,” featuring the renowned gospel group Maverick City Music, along with Kirk Franklin, Chandler Moore and Kierra Sheard. This collaboration stands out as the only track on the album that does not carry an explicit rating, making it a focal point for discussions around faith and music.

Backlash from the gospel community

Despite the positive reception from many fans, the collaboration has not been without its critics. Some members of the gospel community expressed their disappointment on social media, arguing that artists like Kirk Franklin and Kierra Sheard should not align themselves with GloRilla, whose music often contains explicit content. One X user lamented, “these ‘Christian’ gospel artists need to stop compromising. It’s PLENTY of ways to reach souls. Kirk Franklin, Kierra Sheard & Maverick City Music being on GloRilla’s album is wild. God come get us 😭” This sentiment reflects a broader concern about the blending of secular and sacred music.


Another critic pointed to the presence of Sexyy Red on the album, stating, “These are depraved musicians whose music contains profanity, and vulgarity and supports an anti-Christian culture.” This highlights the tension between traditional gospel values and contemporary music styles.

Support from fans and defenders

On the other hand, many fans have come to GloRilla’s defense, arguing that her upbringing in the church and her history with gospel music should not be overlooked. One supporter pointed out, “People in the church mad because Glo made a song ft Kirk and Maverick City and from my simple Google search Glo grew up in the church, served in the church and was in her church choir. The judgment is why so many people walk away from the church.” This perspective emphasizes the importance of understanding an artist’s background and the potential for gospel music to reach broader audiences.


Another fan echoed this sentiment, questioning why it was problematic for gospel artists to collaborate with GloRilla. They stated, “it’s a lot of ‘Christians’ judging Maverick City & Kirk for making a gospel song. Is that not what they do regularly? And so what if it’s with GloRilla? What have you done to glorify God lately? Focus on that.” This highlights a growing divide between traditional expectations of gospel music and the evolving landscape of the genre.

GloRilla’s musical roots

In a previous interview with Blavity, GloRilla discussed her upbringing in a religious household, where she was immersed in gospel music. She shared, “We were a religious, Christian household. We went to church every Sunday.” This background has undoubtedly influenced her artistry and the themes she explores in her music.

The release of GloRilla’s debut album has ignited a significant conversation about the intersection of gospel and hip-hop. While some view the collaboration with Maverick City Music as a compromise of faith, others see it as an opportunity to bridge gaps and reach new audiences. As the music industry continues to evolve, the dialogue surrounding faith, artistry and authenticity will remain a vital part of the conversation.

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