12 Years a Slave

‘The Best Man Holiday’ fell flat with white audiences, should black people care?

USA Today’s ignorant description of “The Best Man Holiday” as a ‘race-themed’ film (later laughably softened as a ‘diverse’ film), opened up the floodgates of criticism and justifiable anger. But more than that, it shed a light on what black filmmakers, actors and audiences have known for years: anything that features mostly black stars will invariably be viewed as a ‘black’ film by the mainstream–regardless of how universal the actual film’s themes are.