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Ranking Rozay: Rick Ross’ albums, worst to best

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The album where Ross’ persona and approach have become so entrenched that it doesn’t even sound like he’s trying. Which isn’t a bad thing. Here he juggles pop crossover material and street raps effortlessly, finally sounding completely comfortable in his own musical skin. Not to mention it includes “B.M.F.,” probably the closest Ross has to a “signature song.”

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