Last night’s episode of “The Real Housewives of Atlanta” was explosive as Phaedra Parks nearly attacked Kenya Moore after Moore accused her of cheating on her husband, Apollo Nida, with another man. And after the show, Moore revealed why she so readily believed that Parks had been unfaithful in her marriage.
The drama began when Cynthia Bailey told Moore that Nida showed her husband, Peter Thomas, sext messages between Parks and a man named Chocolate just days before he began his eight-year prison sentence in Kentucky. When Moore learned of the alleged infidelity, she burst into tears of rage over the fact that Parks was now allegedly doing what she accused Moore of doing for the past two years: being a “w—-,” as Moore put it.
Things hit critical mass between the two when the whole cast sat down for dinner at the end of the episode when Bailey confronted Parks about the text messages and Parks nearly smacked Moore with her purse after Moore accused her of being a cheater and a hypocrite.
After the show aired, Moore appeared on “Watch What Happens Live” and explained why she so readily believed that the text messages were real and that Parks had indeed cheated on Nida. Even after Nida supposedly lied about her propositioning him.
“Apollo never said I made up text messages. He claimed that I saw him in L.A.,” said Moore when asked about Nida’s previous accusations about her propositioning him. “I did send him text messages. He never claimed that I sent him false text messages.”
Moore then explained that she believed Nida because he had evidence to back up his story against his wife, something which he didn’t have when he lied on her.
“Because, at the time, Apollo presented evidence. He never had evidence that I met him in L.A. and that I propositioned him. That’s the difference. He showed text messages proving that Phaedra was having an affair and that she was communicating with someone inappropriately named Chocolate,” Moore said.
But Moore’s accusations don’t end there. See what else she had to say on the matter after the cut.
