Hendrix Smoke, the Carbondale, Illinois-born producer who was raised in Paducah, Kentucky, has ignited the music scene with his unique sound and innovative beats. His roots and urban edge infuse his music with a distinct charm that sets him apart. Smoke’s production style — a fusion of trap rhythms, soulful undertones, and cutting-edge techniques — has earned him collaborations with rap giants like Future, Rick Ross and Nicki Minaj. In an exclusive interview, rolling out spoke to the producer about his musical journey, influences, remarkable partnerships and how he is reshaping the rap industry with his extraordinary talent, one track at a time.
Tell us about your journey into music production and what inspired you to pursue this career?
I started making beats when I was 6 years old. The first time I sat at a drum set, I started playing like I’ve been playing for years. My mom is a singer and songwriter; I picked up a lot from her. What really made me pursue music was also my uncles. My uncle TJ and my uncle Tony were both producers and DJs.
You’ve worked with numerous artists and secured impressive placements. Share some highlights of your career and the projects you’re most proud of?
I’m very proud of the debut album I made with Doe Boy, aka “Beezy.”It was a different experience being hands-on working with the artist and putting the whole project together from scratch. Working on Meek Mill’s and Rick Ross’ Too Good to Be True album was [also] a very proud moment.
Nicki Minaj’s latest album, Pink Friday 2, was highly anticipated. What was your experience like working on this project?
It was very dope. Working with someone you grew up listening to is always a plus. She is very creative and a genius, so I had to give my all to every track carefully and fulfill exactly what she wanted.
What kind of equipment and software do you rely on when producing music, and why do you prefer these tools?
I use Fruity Loops, but I still use the old one. I have a bunch of synths like the Juno, to name one. The feel of Fruity Loops is just smooth, and it has that sound to make everything hit hard with no distortions no matter how loud you turn it up. Sometimes I produce on MPC or Pro Tools, but that’s more for post production.
Share some insight into your approach to selecting and manipulating sounds to create unique compositions.
I like to use synthesizers. That’s the best way to manipulate sounds because you are creating them from scratch, and it’s all you. You get to pick from your brain.
How do you stay up-to-date with industry trends and innovations in music production?
To be honest, I don’t keep up for real. I am in my own world creating what I love to make. I barely hear new songs unless I’m in the club. I just feel like you have to have that bounce; that’s how you keep up.
In your opinion, what is the key to a successful and enduring career in music production?
Staying on top of your business and a game. When it’s time to have fun, cool; but, when it’s time to work, it’s time to work. Also, young producers, make sure you are taking care of the business behind closed doors just not in front of the cameras.
Any upcoming projects or collaborations that your fans and followers can look forward to?
I have a couple of projects coming up this year. Me, ATL Jacob and Future are putting together an album this year. We are actually done with one, but we are going in and tweaking some of the songs. I also have an album coming with my West Coast brother 03 Greedo and Travis Barker.
