Next generation artists bring soulful magic to ‘The Boy Is Mine’

The rendition is a delicate balance that suggests both artists understand the weight of the legacy they’re handling, namely their moms’
artists
R&B icons Monica (L) and Brandy. (Steed Media photos:  Monica by Jonell Whitt  / Brandy by Eddie “Precise” Lamar)

A new rendition of the 1998 chart-topping duet “The Boy Is Mine” has emerged, featuring Sy’rai Smith and Krista Campbell, creating a powerful bridge between musical generations. The collaboration arrives as promotional content for the upcoming film Wicked, premiering Nov. 22.

Fresh vision meets timeless sound

The Nov. 20 release showcases Smith and Campbell bringing their distinctive styles to the beloved track. Their visual interpretation pays homage to the original while incorporating elements from Wicked. Campbell embodies Glinda’s character (played by Ariana Grande in the film) in an elegant pink feathered dress, while Smith transforms into Elphaba (portrayed by Cynthia Erivo) with dramatic green makeup and dark attire.


The video’s aesthetic carefully balances nostalgia with innovation, featuring moody lighting and sophisticated cinematography that elevates the familiar setting of the original music video into something entirely fresh.

Musical legacy in motion

The collaboration represents more than just a cover; it’s a testament to the enduring influence of their mothers, Brandy and gospel sensation Erica Campbell, respectively. Both young artists demonstrate remarkable vocal control and stage presence, suggesting they’ve inherited more than just their mothers’ names.


Social media has erupted with praise for the duo’s interpretation, with industry veterans and new fans alike celebrating their natural chemistry and artistic choices. The overwhelmingly positive response highlights the appetite for sophisticated musical storytelling that honors the past while embracing contemporary production values.

This reimagining serves as both a tribute to an R&B classic and a statement of artistic independence. As Smith and Campbell step into their own spotlight, they’re demonstrating that musical excellence can indeed run in the family while making it clear they’re ready to chart their own course in the industry.

Their interpretation manages to capture the sophistication of the original while introducing modern elements that speak to today’s audience. It’s a delicate balance that suggests both artists understand the weight of the legacy they’re handling — and have the talent to carry it forward.

The release indicates promising careers ahead for both performers, who seem poised to contribute their own chapters to the rich history of American soul music.

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